‘Passage Du Desir’ – Johnny Blue Skies – New Album Review
UPDATED: July 12, 2024
Johnny Blue Skies - Passage Du Desir

For those unacquainted, Johnny Blue Skies is the new alias of the legendary badass, Sturgill Simpson. Known for his genre-defying approach, Simpson now records under this fresh moniker, presenting his latest work, Passage Du Desir.

Stugill Simpson Vs. Johnny Blue Skies

Passage Du Desir is an album that’s hard to categorize. It’s undeniably weird, but then again, so is Sturgill Simpson. His influence on modern Americana and country music is significant, with pivotal albums like Metamodern Sounds in Country Music (2014) and  A Sailor’s Guide to Earth (2016). His bluegrass ventures, Cuttin’ Grass Vol. 1 & 2, further cemented his versatility and acclaim.

With that said, Simpson’s distaste for being pigeonholed into the country genre is well-documented. This aversion is reflected in his bold, artsy projects, such as the genre-blending Sound & Fury(2019), which was accompanied by a full-length Netflix anime. His new persona, Johnny Blue Skies, seems like a natural evolution in his quest to explore and defy musical boundaries.

Considering Simpson’s body of work, it’s clear that the transition to Johnny Blue Skies is a calculated and fitting move. Sturgill Simpson, as we knew him, has evolved, possibly retired, leaving room for this new chapter unbound by musical labels. The man has made it clear: he’ll play what he wants, when he wants, and how he pleases. Enter Passage Du Desir.

The Highlights

Passage Du Desir embraces its weirdness, combining a variety of genres and instruments in a way that can feel intentionally jarring. This approach appears designed to provoke thought and complement Simpson’s cosmic-themed lyrics. His unique vocal cadence often feels like free-verse poetry, weaving through synths, mandolins, blues guitars, and other space-age string instruments to create a psychedelic soundscape.

The album resonates with a melancholic tone, exploring themes of death, regret, loss, and mortality. Johnny Blue Skies, described by Simpson as a “dread pirate,” embodies these themes, adding a layer of depth to the music.

All eight tracks are solid, with strong narratives driving them against the cosmic backdrop. Simpson often shows off his fret-burning skills with some echoing teardrop guitar solos.

 Notable Tracks

  • Who I Am is the most traditional country song on the album, which likely plays into it being my personal favorite. Johnny Blue Skies fittingly tries to figure out who he is in this world.
  • Scooter Blues is a Jimmy Buffet-ish island song disguised as an old-school blues number, with Simpson yearning to give up and suck on coconuts for the rest of his life.
  • One for the Road is a nine-minute ballad about love gone wrong, culminating in a Grateful Dead-like finale of noodling solos.

Final Thoughts

While many critics hail Passage Du Desir as a brilliant continuation of Simpson’s work and an obvious follow-up to A Sailor’s Guide to Earth, I find myself at odds with this consensus. The praise feels somehwhat overblown. Yes, Simpson is a musical genius, but this album feels like another experimental venture with both highs and lows. Each track, while unapologetically long, says something profound and stays dynamically rich, but it’s not the literary masterpiece some claim it to be. Such reviews seem pretentious and disingenuous, as if they just want to virute signal, “I get it”. Sometimes, less is more.

I get it too, Sturgill is the GOAT, and he is. I understand his motivation to blend everything together—pop, rock, country, and orchestral moments that come crashing down, adding the much-needed weight to the project. But he’s done that, over and over again. Much of this album sounds like a jam band closing out a music festival at 3 in the morning.

Despite my slight criticisms, Passage Du Desir is still a solid album that gives the world more of what it wants: more Sturgill Simpson. With his “couldn’t care less” attitude, Sturgill Simpson, or Johnny Blue Skies, is now and will always be a national treasure. He does whatever the fuck he wants, whether it be “punk rock” or “outlaw country”…It’s the attitude behind the music that makes him so damn prolific and entertaining.

Album Release: July 12, 2024

Favorite Tracks: Who I Am

RootsnRevelry Grade:                           

B-

For Tour and Merch: Follow Sturgill Simpson

0 Comments

You may also be interested in this crazy ass trailer for Sturgill Simpson’s Netflix Anime Sound and Fury

Not My First Rodeo – Agata Karczewska – New EP Review

Not My First Rodeo – Agata Karczewska – New EP Review

For those unfamiliar—though frankly, it feels almost criminal to admit it—Agata Karczewska is a Polish singer-songwriter who has been quietly but powerfully carving out her space in the folk-Americana scene. Karcewska has realeased her long awaited EP Not My First...

‘The Sun Still Rises’ – Aisha Badru – New Album Review

‘The Sun Still Rises’ – Aisha Badru – New Album Review

The Sun Also Rises is Aisha Badru’s second full-length album, following 2018’s Pendulum and four (!) EPs released since then. As a singer-songwriter from New York City, Badru brings her distinctive voice to the forefront of this record. I haven’t listened to any of...

Vincent Mason and Gavin Adcock Release New Single: ‘Almost Gone’

Vincent Mason and Gavin Adcock Release New Single: ‘Almost Gone’

Vincent Mason and Gavin Adcock have just released their new single, Almost Gone. Produced by Jay Rodgers, this heartbreak anthem brings together two rising stars in a collaboration that showcases their undeniable musical chemistry. The emotionally charged track blends...

‘In Time’ – The Lowdown Drifters – New Album Review

‘In Time’ – The Lowdown Drifters – New Album Review

After nearly a decade of cutting their teeth on the gritty stages of backyards and barrooms, The Lowdown Drifters are making serious strides toward Americana roots prominence with their latest release, In Time, which dropped on October 25, 2024. Hailing from Ft....

The Lowdown Drifters Release New Album: ‘In Time’

The Lowdown Drifters Release New Album: ‘In Time’

The Lowdown Drifters have just released their newest album, In Time. This dynamic ensemble, led by the soulful and commanding Big John Cannon, masterfully weaves together the threads of country, rock, and heartfelt storytelling. The band has gained significant...

‘Shooting Star’ – Benjamin Tod – New Album Review

‘Shooting Star’ – Benjamin Tod – New Album Review

Benjamin Tod returns to the spotlight with his latest solo effort, Shooting Star, set for release on October 18, 2024, via Thirty Tigers. For those unfamiliar with Tod’s work—and let's face it, I assume you are if you’re reading this—2024 has marked a creative rebirth...

‘Golden Child’ – Meghan Patrick – New Album Review

‘Golden Child’ – Meghan Patrick – New Album Review

Meghan Patrick…..well…. is a badass, plain and simple. Her new album Golden Child, dropping October 11th, is my first real dive into the Canadian country star’s world, even though she's been out there grinding for over a decade. Now, full disclosure—when someone sends...

Related Articles

Not My First Rodeo – Agata Karczewska – New EP Review

Not My First Rodeo – Agata Karczewska – New EP Review

For those unfamiliar—though frankly, it feels almost criminal to admit it—Agata Karczewska is a Polish singer-songwriter who has been quietly but powerfully carving out her space in the folk-Americana scene. Karcewska has realeased her long awaited EP Not My First...

‘The Sun Still Rises’ – Aisha Badru – New Album Review

‘The Sun Still Rises’ – Aisha Badru – New Album Review

The Sun Also Rises is Aisha Badru’s second full-length album, following 2018’s Pendulum and four (!) EPs released since then. As a singer-songwriter from New York City, Badru brings her distinctive voice to the forefront of this record. I haven’t listened to any of...

Vincent Mason and Gavin Adcock Release New Single: ‘Almost Gone’

Vincent Mason and Gavin Adcock Release New Single: ‘Almost Gone’

Vincent Mason and Gavin Adcock have just released their new single, Almost Gone. Produced by Jay Rodgers, this heartbreak anthem brings together two rising stars in a collaboration that showcases their undeniable musical chemistry. The emotionally charged track blends...