Meghan Patrick…..well…. is a badass, plain and simple. Her new album Golden Child, dropping October 11th, is my first real dive into the Canadian country star’s world, even though she’s been out there grinding for over a decade. Now, full disclosure—when someone sends me a modern country record, my knee-jerk reaction is usually skeptiscism. I’ve heard it all. The same cookie-cutter sound, the same paint-by-numbers lyrics, and I end up zoning out like it’s just another shift waiting on the time clock. But Meghan Patrick? She’s out for blood.
I barely got through the first minutes of a brief listen to Golden Child before I knew exactly why she’s racked up all those accolades—especially the damn near constant CCMA wins and nominations (particularly for songwriting). Patrick even brought home CCMA Album of the Year for Grace and Grit back in 2016.
Lyrically speaking, Meghan Patrick is the real deal. Her latest effort is nothing short of proof.
Golden Child is a hefty 18-track beast, packed with a ton to sit through and even more to chew on. When I started thinking about how to break this album down, I kept coming back to one thing: this album doesn’t need me to dissect it. Every track on this record is masterfully written. Meghan Patrick’s authenticity pours out onto the page and bleeds through the music, crystal clear. What makes Golden Child special is hands down the writing.
Sure, the instrumentals don’t exactly push the boundaries of country music. It sounds like country—well-produced, well-arranged, and easy to listen to. It’s ear candy, no doubt. But where this album really hits its stride is in the storytelling. Most of these songs feel incredibly personal, like she’s handing over her own life story, piece by piece. And her writing? It’s clever and nuanced, like she’s running a masterclass in creative writing.
Patrick’s got a sharp edge when it comes to double entendres, twists of phrase, and wordplay that hit just right. Case in point: “Cause everything that glitters ain’t golden, child.” It’s lines like that, woven all through the album, that make the entire album a standout.
The Boy Who Cried Drunk is a perfect example of sharp wit combined with clever wordplay. Patrick captures experiences that most of us—especially the more ruffian types—can relate to. Unfortunately, I’ve been on the “crying drunk” side of things more often than I’d like to admit. But hey, we all grow up eventually, right? Or maybe not. That might just be the real takeaway from this song.
Other Side of 25 strikes a chord once again. Maybe I’m just a sucker for those rebellious redemption songs—the anthems for the reformed outlaws who somehow made it through. But the track delivers more than relatability, it’s ridiculously catchy. The lyrical flow is bouncy and infectious, like a riptide of rhythm as Patrick recounts getting her life in order on the backside of 25.
Iron Man is easily my favorite song on the album. Honestly, I teared up the first time I heard it. It made me reflect on my relationship with my own father, and then on my daughter and how we connect. I can only hope that one day she views me through the same lens I do him. The lyrics are both witty and deeply moving, especially with the clever double meanings around “Iron Man”—the ironworker and the superhero. Iron Man is music at its purest, raw transferable emotion.
Final Thoughts
Album Release: Oct 11, 2011
Favorite Tracks: Other Side of 25, Iron Man
RootsnRevelry Grade:
For Tour and Merch: Follow Meghan Patrick
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